When the partner of Emmy Award–winning screenwriter Abi Morgan abruptly collapsed from a mysterious illness, doctors were concerned that he would not survive. Then, six months later, Jacob woke from his coma, to the delight and relief of his family and friends—except this proved to be anything but a Hollywood ending. Because to Jacob, the woman standing at his bedside, who had cared for him all these months, was not his partner. Not his children’s mother. Not the woman he loved. Sure, she looked like his Abi, but this was an imposter, living someone else’s life.
Finding herself dropped into a real-life night-mare seemingly ripped from the pages of a thriller, Abi must find a way to hang on to not only their past but also their future together, before it slips away from them both. With grace, an irresistible sense of humor and refreshingly raw honesty, This Is Not a Pity Memoir grapples with a journey through fear and redemption few should have to face.
Kiara and her brother, Marcus, are scraping by in an East Oakland apartment complex optimistically called the Regal-Hi. Both have dropped out of high school, their family fractured by death and prison. But while Marcus clings to his dream of rap stardom, Kiara hunts for work to pay their rent—which has more than doubled—and to keep the nine-year-old boy next door, abandoned by his mother, safe and fed.
One night, what begins as a drunken misunderstanding with a stranger turns into the job Kiara never imagined wanting but now desperately needs: nightcrawling. Her world breaks open even further when her name surfaces in an investigation that exposes her as a key witness in a massive scandal within the Oakland Police Department.
Rich with raw beauty, electrifying intensity, and piercing vulnerability, Nightcrawling marks the stunning arrival of a voice unlike any we have heard before.
Fresh off a bad breakup with a longtime boyfriend, Nantucket sweetheart Lizbet Keaton is desperately seeking a second act. When she’s named the new general manager of the Hotel Nantucket, a once Gilded Age gem turned abandoned eyesore, she hopes that her local expertise and charismatic staff can win the favor of their new London billionaire owner, Xavier Darling, as well as that of Shelly Carpenter, the wildly popular Instagram tastemaker who can help put them back on the map. And while the Hotel Nantucket appears to be a blissful paradise, complete with a celebrity chef-run restaurant and an idyllic wellness center, there’s a lot of drama behind closed doors. The staff (and guests) have complicated pasts, and the hotel can’t seem to overcome the bad reputation it earned in 1922 when a tragic fire killed nineteen-year-old chambermaid Grace Hadley. With Grace gleefully haunting the halls, a staff harboring all kinds of secrets, and Lizbet’s own romantic uncertainty, is the Hotel Nantucket destined for success or doom?
Filled with the emotional depth and multiple points of view that characterize Hilderbrand’s novels (The Blue Bistro, Golden Girl) as well as an added dash of Roaring Twenties history, The Hotel Nantucket offers something for everyone in this compelling summer drama.
As Melissa Bond raises her infant daughter and a special-needs one-year-old son, she suffers from unbearable insomnia, sleeping an hour or less each night. She loses her job as a journalist (a casualty of the 2008 recession), and her relationship with her husband grows distant. Her doctor casually prescribes benzodiazepines—a family of drugs that includes Xanax, Valium, Klonopin, Ativan—and increases her dosage on a regular basis.
Following her doctor’s orders, Melissa takes the pills night after night; her body begins to shut down and she collapses while holding her infant daughter. Only then does Melissa learn that her doctor—like many doctors—has over-prescribed the medication and quitting cold turkey could lead to psychosis or fatal seizures. Benzodiazepine addiction is not well studied, and few experts know how to help Melissa as she begins the months-long process of tapering off the pills without suffering debilitating, potentially deadly consequences.
Each page thrums with the heartbeat of Melissa’s struggle—how many hours has she slept? How many weeks old are her babies? How many milligrams has she taken? Her propulsive writing crescendos to a fever pitch as she fights for her health and her ability to care for her children. Lyrical and immersive, Blood Orange Night shines a light on the prescription benzodiazepine epidemic as it reaches a crisis point in this country.
The tragedies and reckonings around racism that are rocking the country have created a specific crisis for parents, educators, and other caregivers: How do we talk to our children about racism? How do we teach children to be antiracist? How are kids at different ages experiencing race? How are racist structures impacting children? How can we inspire our children to avoid our mistakes, to be better, to make the world better?
These are the questions Ibram X. Kendi found himself avoiding as he anticipated the birth of his first child. Like most parents or parents-to-be, he felt the reflex to not talk to his child about racism, which he feared would stain her innocence and steal away her joy. But research and experience changed his mind, and he realized that raising his child to be antiracist would actually protect his child, and preserve her innocence and joy. He realized that teaching students about the reality of racism and the myth of race provides a protective education in our diverse and unequal world. He realized that building antiracist societies safeguards all children from the harms of racism.
Following the accessible genre of his internationally bestselling How to Be an Antiracist, Kendi combines a century of scientific research with a vulnerable and compelling personal narrative of his own journey as a parent and as a child in school. The chapters follow the stages of child development from pregnancy to toddler to schoolkid to teenager. It is never too early or late to start raising young people to be antiracist.
“By the time I was two years old, I knew to yell ‘Story! Story!’ at the squawks of my parents’ police scanner. By four, I could hold a microphone and babble my way through a kiddie news report. By the time I was in high school, though, my parents had lost it all. Their marriage. Their careers. Their reputations.”
When a box from her mother showed up on Katy Tur’s doorstep, months into the pandemic and just as she learned she was pregnant with her second child, she didn’t know what to expect. The box contained thousands of hours of video—the work of her pioneering helicopter journalist parents. They grew rich and famous for their aerial coverage of Madonna and Sean Penn’s secret wedding, the Reginald Denny beating in the 1992 Los Angeles riots, and O.J. Simpson’s notorious run in the white Bronco. To Tur, these family videos were an inheritance of sorts, and a reminder of who she was before her own breakout success as a reporter.
In Rough Draft, Tur writes about her eccentric and volatile California childhood, punctuated by forest fires, earthquakes, and police chases—all seen from a thousand feet in the air. She recounts her complicated relationship with a father who was magnetic, ambitious, and, at times, frightening. And she charts her own survival from local reporter to globe-trotting foreign correspondent, running from her past. Tur also opens up for the first time about her struggles with burnout and impostor syndrome, her stumbles in the anchor chair, and her relationship with CBS Mornings anchor Tony Dokoupil (who quite possibly had a crazier childhood than she did).
Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of bourbon, she passes the time watching Tom and Katherine Royce, the glamorous couple living in the house across the lake. They make for good viewing—a tech innovator, Tom is powerful; and a former model, Katherine is gorgeous.
One day on the lake, Casey saves Katherine from drowning, and the two strike up a budding friendship. But the more they get to know each other—and the longer Casey watches—it becomes clear that Katherine and Tom’s marriage isn’t as perfect as it appears. When Katherine suddenly vanishes, Casey immediately suspects Tom of foul play. What she doesn’t realize is that there’s more to the story than meets the eye—and that shocking secrets can lurk beneath the most placid of surfaces.
Packed with sharp characters, psychological suspense, and gasp-worthy plot twists, Riley Sager’s The House Across the Lake is the ultimate escapist read . . . no lake house required.
Florence Day is the ghostwriter for one of the most prolific romance authors in the industry, and she has a problem—after a terrible breakup, she no longer believes in love. It’s as good as dead.
When her new editor, a too-handsome mountain of a man, won’t give her an extension on her book deadline, Florence prepares to kiss her career goodbye. But then she gets a phone call she never wanted to receive, and she must return home for the first time in a decade to help her family bury her beloved father.
For ten years, she’s run from the town that never understood her, and even though she misses the sound of a warm Southern night and her eccentric, loving family and their funeral parlor, she can’t bring herself to stay. Even with her father gone, it feels like nothing in this town has changed. And she hates it.
Until she finds a ghost standing at the funeral parlor’s front door, just as broad and infuriatingly handsome as ever, and he’s just as confused about why he’s there as she is.
Romance is most certainly dead . . . but so is her new editor, and his unfinished business will have her second-guessing everything she’s ever known about love stories.
Sixteen-year-old Beau Willet has dreams of being an artist and one day leaving the Chicago projects she’s grown up in. But after her older sister, Katia, is killed by an off-duty police officer, Beau knows she has to clear her sister’s name by finding the only witness to the murder; Katia’s no-good boyfriend, Jordan, who has gone missing. If she doesn’t find him and tell the world what really happened, Katia’s death will be ignored, like the deaths of so many other Black women who are wrongfully killed.
With the help of her friend, Sonnet, Beau sets up a Twitter account to gather anonymous tips. But the more that Beau finds out about her sister’s death, the more danger she finds herself in. And with a new relationship developing with her childhood friend, Champion, and the struggle to keep her family together, Beau is soon in way over her head. How much is she willing to risk to clear her sister’s name and make sure she’s not forgotten?
When Jenna Kutcher was 22, she left her corporate job, bought a camera on Craigslist for $300, and started her own business as a wedding photographer. From that single investment in herself, she built a successful company, a thriving podcast, a brand. But her driving force is never about working harder/smarter/faster/better. What Jenna Kutcher embraces is the simple notion that we, women especially, crave lives of fulfillment, lives of enrichment. That comes from investing, first and most importantly in ourselves and in our dreams. How to make that investment successfully is what How Are You, Really? is about.
Divided into three sections, How Are You, Really? is a path to coming home to yourself, following what your intuition may have been quietly telling you to do for a long time, and the practical tools for how to make changes for the better.
In Part One: Who You Are, Jenna uses stories from her childhood, some career false starts, her marriage and path to motherhood, and more to show how to crystallize your sense of your own identity. Because how can you know what you really, truly want out of your life if you don’t see yourself clearly?
In Part Two: Who You Have, and Who Has You, Jenna shows the benefit of building a support system, how mentorship and kindness can come in surprising ways and from surprising sources, and how by giving yourself in this way to others, you grow.
In Part Three: What You’re Going to Do About It, Jenna guides you through illustrations from her career on how to turn your dearest and deepest wish, your goal, into a life that brings success, joy, and—most importantly–the time to enjoy the fruits of your labor.
We all want, simply put, a life of enrichment.